How To Record Midi In Pro Tools 11
After you record some MIDI performances, you can easily add to or change them. The time-honored name for this kind of recording is overdubbing. Overdubbing MIDI performance data is similar to overdubbing your audio data.
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Using MIDI Merge/Replace
When you overdub to a MIDI track, many MIDI recording programs offer you the option to either replace existing material or add new data to it. For example, in Pro Tools, you make this selection by clicking the MIDI Merge/Replace button. This button is located in the Transport window. Here’s how it works:
When the Merge/Replace button is engaged (MIDI Merge mode), new material is merged with existing MIDI data on the record-enabled track(s).
When the Merge/Replace button is disengaged (MIDI Replace mode), new MIDI data replaces existing information on the record-enabled track(s).
Add new data in a sequencer program without erasing what’s there.
To engage MIDI Merge in Pro Tools, follow these steps:
Open the MIDI controls section of the Transport window by choosing Display→Transport Window Shows→MIDI Controls.
The Transport window expands to include the MIDI controls section.
Click the MIDI Merge button.
The button becomes highlighted.
Most MIDI sequencers have a similar function, but by default, any overdubs you do are placed in a new sequence — leaving the original intact.
Punching in and out
If you like some of your initial take and want to record over only part of it, you can set points at which to start and stop recording within the session. This is called punching in and out.
As is the case with audio tracks, most programs allow you to punch into MIDI tracks in several ways. These include punching in and out manually,automatically, and repeatedly (looping).
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With the exception of being able to choose to merge your punched data with your original performance or being able to replace it, punching into and out of MIDI tracks is the same as punching into and out of audio tracks.
A very common cause of confusion for a new user of Pro Tools is not knowing what to do when you hit play only to be greeted by silence. Here are some things to know.
1 - Check hardware first!
Because there are so many things which can go wrong in software it is tempting to assume that the problem must be in Pro Tools software - Not necessarily!
2 - Is the volume up?
Don’t crank it up and leave it there if it is not the problem, turn it back down or you might get a big shock when you do find what is wrong.
3 - Are your peripherals connected and powered?
A buss powered audio interface should have status lights on it. Are they on? A common mistake which I have to admit I have made more than once in a computer lab style classroom is to adjust the headphone level of the interface being used by the person next to me.
4 - Look at the software settings
Once you have eliminated obvious hardware issues (are your headphones plugged in? I know it sounds obvious but I have watched people busily check I/O settings with their headphones disconnected more than once) it is time to look at the Pro Tools software.
5 - System Preferences vs Playback Engine
Many new users do not appreciate that there are audio settings for the whole OS (i.e. computer-wide) and audio settings for the specific application you are using (i.e. Pro Tools). Changing system settings will not affect Pro Tools, to do that you need to access the Pro Tools playback engine.
The Pro Tools Playback Engine is accessed from the Setup menu and it is here you can select which audio interface you wish to use with Pro Tools. Because there are sound settings for the operating system (i.e. the whole computer - web browser, iTunes etc.) and for just for Pro Tools, it is possible to have sound hardware which is used by the rest of the system and different hardware which is just used by Pro Tools. The available Pro Tools playback engines are accessible from here. People trying to fix a playback engine issue by changing the System Preferences > Sound settings (PC - Control Panel > Hardware and Sound) is one of the most common causes of confusion I have come across. If you are using on board sound hardware on a Mac you will be using Core Audio. If you are using Windows you will need to use an ASIO driver for your on board audio on your PC. ASIO4All is a generic ASIO diver for windows machines. Neil posted a video on setting this up. On a Mac Pro Tools sees the core audio input and output as separate devices and Avid created an aggregate device combining them both called Pro Tools Aggregate IO. If you want to use the on board IO this is the option you need.
6 - Outputs inactive/unavailable
To hear a track it has to be routed to an available output. It is unusual for this to present many problems unless a session has been created on another system. If is has then Pro Tools should be able to “map” the outputs imported with the session onto the appropriate output on the system the session is being opened on. If this does not work the invalid output will show up as italicised. The most straightforward way to fix this is to hold down option/alt and click on the output selector for one of the tracks which is assigned to the inactive main output and select the appropriate available output. Using the option/alt key will apply this change to all tracks in the session apart from masters. This will of course disrupt any submixing or bussing in the session. There are more elegant ways of fixing this problem but for simple session this method is adequate.
7 - Mix Control/Software
A final thing to check is whether any features designed to provide low latency monitoring while tracking are the problem. This only affects users with external audio interfaces but a common cause of confusion is the role of the mix control found on many USB interfaces. Use of these is beyond the scope of this article but if you cannot hear playback from Pro Tools make sure the mix control is not turned fully towards “input”. Some interfaces use some kind of mixer software external to Pro Tools to achieve the same thing. If your interface uses proprietary mixer software check the settings.